(Algemeiner) After years of denying the self-evident fact that Jews built and control Hollywood, many Jews — including the Jewish supremacist group, the Anti-Defamation League — are now crying foul after discovering that the new Academy Museum Of Motion Pictures — which was founded by wealthy Hollywood Jewish donors — has not sufficiently acknowledged the prominent role Jews have played in the movie industry from its very foundation:
Some prominent members and donors of the Academy of Motion Picture Arts and Sciences are asking why Jewish trailblazers who helped build the Hollywood industry are not spotlighted in its new museum in Los Angeles. Anti-Defamation League CEO Jonathan Greenblatt, who attended the opening gala of the Academy Museum of Motion Pictures on Sept. 25, called the absence “a conspiracy of silence and that’s deeply upsetting” in a recent interview with Rolling Stone magazine.
“I would’ve hoped that any honest historical assessment of the motion picture industry — its origins, its development, its growth — would include the role that Jews played in building the industry from the ground up,” he added. “As I walked through, I literally turned to the person I was there with and said to him, ‘Where are the Jews?’ The omission was glaring.”
Neal Gabler wrote in the introduction to his 1988 book “An Empire of Their Own: How the Jews Invented Hollywood” that the American film industry was “founded and for more than 30 years operated by Eastern European Jews.” He added, “There were none of the impediments imposed by loftier professions and more firmly entrenched businesses to keep Jews and other undesirables out.”
Hollywood’s Jewish founding fathers included Paramount Pictures co-founder Adolph Zukor, Warner Bros. founders Harry and Jack Warner, Universal Pictures co-founder Carl Laemmle, Columbia Pictures co-founder Harry Cohn, and MGM co-founders Sam Goldwyn and Louis B. Mayer.
Israeli-American media mogul Haim Saban, who along with his wife Cheryl made the largest donation to the museum — a $50 million gift — told Rolling Stone that the couple “firmly believe that the Jewish contributions to the film industry, from its founding to today, should be highlighted….We shared our perspective with the Academy Museum’s management and appreciate that they are taking our feedback seriously,” he said.
Some patrons considered withdrawing future financial contributions to the institution, with one Academy member who preferred to remain unnamed saying, “You left the museum with the impression that the film industry was created 10 years ago. They erased the past. And I find it appalling…”
Opening this year is a new exhibition called “Regeneration: Black Cinema 1898-1971,” which will explore the history of African-American filmmakers. The museum contains “scant mention of Jewish trailblazers,” with the exception of “Sunset Boulevard” director Billy Wilder, according to Rolling Stone. One of the six Oscars won by Wilder is displayed with a small placard stating that he fled Nazi Germany due to his religion.
“By not including the founding fathers out of the gate, they were making a massive statement,” said Triller CEO and Academy member Ryan Kavanaugh. “As the grandson of Holocaust survivors, it’s just shocking that they erased the contributions of a group who faced severe antisemitism — they couldn’t get bank loans, they couldn’t own homes in LA, and yet they still created this industry that is the bedrock of the LA economy and touches people around the world….Instead of, ‘Look at what what they were able to do,’ it’s just wiped out,” Kavanaugh added. “It goes against everything that our industry says they stand for.”
An insider familiar with the decision-making process for the museum’s programing indicated there was a lack of will to push back, saying, “a lot of people who might have fought harder for the representation of Jews were just really laying low.”
The museum’s director and president Bill Kramer told Rolling Stone that he has spoken with Academy members and donors who expressed their concerns about the lack of Jewish representation. He said the museum will open a display on the Jewish founding fathers of Hollywood next year, and while it was originally planned as a temporary installment, it will now be the museum’s first and only permanent exhibit. “Representation is so important to us, including our Jewish founders,” he explained. “If we are not talking about them in enough detail or more prominently, we want to hear that and we want to respond to that. We heard these notes, and we get it. And we’re really happy to be able to make a change and are going to course correct.”
Sid Ganis, an honorary trustee of the museum, said he found no issue with the current set of exhibits and was “a little surprised” by the outrage. “We have a museum that covers over 100 years of this industry,” he said. “And yes, we didn’t get to opening night with the origin story, but we got to opening night with what was relevant to the audience we were playing to and needed to include. I have friends who said to me, ‘Where are the Jews?’ It’s in the eyes of the beholder. They’re there, and they will be there in a bigger, more prominent way pretty soon.”
Ironies of ironies — the head of the ADL — Jonathan Greenblatt — whose full-time, highly paid job is to smear anyone who makes the “dangerous” suggestion that Hollywood is Jewish, now claims he is deeply “offended” when Jews aren’t placed front and center in this museum and get the acclaim they deserve.
This double-mindedness is at the heart of Jewish life in America — to remain invisible so that the majority does not notice what they are doing — such as subverting the nation with communism — but at the same time crassly bragging about their wealth and power — and their shameless desire to want even more.
Jews have used Hollywood movies to redefine America as a Jewish multi-racial Utopia where Jews are accepted as our fellow white people who merely practice a “different religion” — an ironic sentiment considering Jews are overwhelmingly non-religious.
In 1945, Frank Sinatra — who owed his entire career to Jews in Hollywood and organized crime (like Mikey Cohen) — agreed to star in The House I Live In, a “documentary” short, written by Albert Maltz — a Jewish communist who was later blacklisted as a member of the notorious “Hollywood Ten” by the House UnAmerican Activities Committee.
This shmaltzy film received the official Kosher stamp of approval when it received a special, “honorary” Academy Award in 1945 — coincidentally just as the world was receiving its first onslaught of Holocaust propaganda as WWII ended.
In 2007, the Library of Congress — at the behest of Hollywood Jews no doubt — made this maudlin piece of Judeo-Marxist “melting pot” propaganda a permanent part of its film collection as “culturally, historically, or aesthetically significant” to America.
And now that liberal Hollywood Jews have been busy promoting other racial minorities in the media to replace white people, many Jews are feeling like they “don’t count” anymore as an “oppressed minority” — and they need some reassurance that they are still “special” — and no one forgets it, if they know what’s good for them.
Your Second Amendment Is Now A Jewish Tax: Follow Up Video, Homeland Security Grants .
https://brandnewtube.com/watch/your-second-amendment-is-now-a-jewish-tax-follow-up-video-homeland-security-grants_fjX3xtj4R6f1IfW.html
The Jews that produced motion pictures (incl pornography & snuff) in Berlin moved to America and helped set up Hollywood, this migration was likely in response to rising tensions, the backlash & indignation that led to the rise of the NSDAP in Germany.
Berlin was apparently known as the “Hollywood before Hollywood.”
Whether or not Jews admit this or diminish their own involvement is based on whether it is being celebrated or depicted negatively & condemned.
Americans created laws about what could be depicted in movies, to prevent the promotion of degeneracy & sin, which were gradually whittled down by Jews with arguments like all kinds of ‘Art’ being “Free Speech.”
BABYLON BERLIN BEFORE HITLER
https://archive.org/details/babylon-before-hitler_202104
“Marilyn Monroe (Norma Jeane Mortensen Baker) (6/1, 1926 – 8/5, 1962)
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“Monroe is one of many Gentile actors who fell under the dominance of a string of Jewish psychoanalysts and who prescribed drug therapy. Marilyn’s publicist was also Jewish. So were her agents. Many of the directors of her films were Jews. Her personal manager was Jewish. Monroe had resolved to sleep with anyone who could help her attain fame and fortune in Jewish-dominated Hollywood. Garment millionaire Henry Rosenfeld was another Jewish sex partner on Marilyn’s road to fame. Jewish mobster Bugsy Siegel, himself a Hollywood powerbroker, also slept with her. Early in Monroe’s career as a struggling actress, the Jewish head of Columbia, Harry Cohn, invited her to an overnight cruise on his yacht. Monroe was required to strip naked for Cohn in his office. As she bent over, at his direction, he approached her, penis in hand. When she declined his advances, said Monroe, “I had never seen a man so angry”. Cohn then “banned her from the [Columbia] lot after she refused to accompany him on a yacht to Catalina Island”.
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The network of Jewish men that controls Hollywood has always been characterized by an intense sexual fixation on the shiksa — shiksa being a derogatory slur for a Gentile woman, literally signifying “unclean animal” according to its Yiddish etymology. [Continues]
https://defendheritage.blogspot.com/2013/02/1960-1967.html
Satan in Hollywood.-Herve Ryssen.
https://www.goyimtv.tv/v/2170201089/Satan-In-Hollywood—English-US-Version—Herv%C3%A9-Ryssen—2016
I have often wondered such things: where does a Jew get his vast sums of money such as donating $50,000,000 even if it is to a Jewish Museum?
Why are there so many wealthy Jews?
Could some of it be from the control and domination of countries such as Germany , Russia , other European countries under communism, control of the diamond and gold fields? Natural resources? The Jews are said to take care of each other when they can give other Jews opportunities. Maybe they also pay their fellow Jews well for their services and why so many are wealthy.
Maybe they even pay their servants well. Where does Barack Obama get the wealth or income from being President to live in a multi million dollar home? How long did he or his wife practice law to develop such an income? How could their daughters afford to go to Harvard? Oh, such a stupid thought. Harvard is supposed to now be a minority college. Some have said that there are only maybe four or more countries not under the Jewish money control. and some have even said or hinted that vast sums of extra money are printed than our government asks, needs or has printed for its operation.
Look up the mansion the Rothschild’s live in. Not that they have worked as a common man for , but from the control of the money system of the world.
The common man can own property until he dies and his children sell it , rent it out until they don’t want it anymore, can’t afford it, can’t afford taxes, can’t afford upkeep, the children don’t want it and it falls to ruin or is sold.
The wealthy are able to pass their wealth and lifestyle to their descendants, sometimes for generations or hundreds of years.
A friend told me once that he got his father’s home, when his father died, but could lose it for not paying a few hundred dollars in taxes. We only own what we believe we own, especially if we are indebted to someone for an item until it’s paid for.
It’s a shame to travel within one’s own area and wish to farm, own a home or business, and see farms, homes, business’s building ‘s empty, rotting , falling down, because no one who owned them will sell them, or lets the place deteriorate or the bank will not loan money for a person to occupy the place or make use of it.
Just as we see so many homeless yet are shown on the internet the vast number of homes, business buildings that can be made useful, are abandoned or rotting, yet we hear always of new social programs being created. Many malls have empty sites for years,
I have often wondered the last year or so, why I ever came to this world. Some people seem to exist for the use and profit of others. I have noticed especially since the virus that so many people who would be considered famous in some way are dying. Why? How? Everything has a frequency and maybe one way it is done.
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Western technology, western art, western ideas.
What Jews brought most to Hollywood (other than surgically altered noses to fit on the screen) was the dubious art of the deal.
Television and film would have benefited from the removal of all Jews at the very least 30 years ago.
“Who runs Hollywood? C’mon” – By JOEL STEIN [Dec. 19, 2008]
“I have never been so upset by a poll in my life. Only 22% of Americans now believe “the movie and television industries are pretty much run by Jews,” down from nearly 50% in 1964. The Anti-Defamation League, which released the poll results last month, sees in these numbers a victory against stereotyping. Actually, it just shows how dumb America has gotten. Jews totally run Hollywood.”
https://archive.is/spQkl
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“Gun Control’s Unholy Union With Hollywood Is Too Rich”
“U.S.A. -(AmmoLand.com)- Gun control groups are recruiting Hollywood elites to sell the reasons why more gun control is necessary. Never mind these same Tinseltowners live within gated, secure neighborhoods and often pay for private security details whenever they feel like it. They haven’t learned the lessons that nothing is more off-putting than Hollywood hypocrisy, so they’re going for a sequel.”
https://www.ammoland.com/2021/02/gun-controls-unholy-union-with-hollywood-is-too-rich/
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“Trial by Hollywood”
John Scopes, of the famous Monkey Trial of 1925, was recruited by the ACLU to challenge the Butler Act in Tennessee. Scopes had never taught evolution theory or Darwin’s ideas. Most people have a misimpression about the trial and it’s verdict because of a movie which intentionally depicted events counter to the actual facts.
“IN REAL LIFE, John Scopes was not a biology teacher, nor did he grow up in Dayton, Tennessee. Scopes taught math and coached football, but had briefly substituted for the regular biology teacher during an illness. He was recruited by the American Civil Liberties Union (ACLU) to challenge Tennessee’s Butler Act. Evidently, he never even taught evolution or Darwin.”
https://jamesperloff.net/trial-by-hollywood/
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“Walt Disney’s War With Hollywood’s Jews” [7-14-10]
“After Jews achieved complete control over the distribution of movies, they kept lowering the standards regarding morality and sex to the point where some members of Congress felt that film censorship was necessary and they introduced legislation to create a board of film censorship.
To get around this censorship board Hollywood Jews rapidly moved to form a ‘self regulating’ organization called the Motion Picture Producers and Distributors of America. (MPPDA) A non-Jew was picked to head the MPPDA, and this was former Postmaster General Will Hays who had been national chairman of the Republican party. In his book Marc Eliot says: “The Jewish power faction in Hollywood hoped choosing a Christian to regulate the moral content of their films would improve the overall image of its industry.”
https://rense.com//general91/walt.htm
On the ADL website probably: “Neo-Nazis Accuse Jews Of ‘Conspiracy’ To Downplay Jewish Dominance Of Hollywood”
Hollywood got a huge financial boost right after Prohibition ended. The Chicago ‘Outfit,’ the Jew mob that ran the illegal liquor trade & racketeering, many of them decided to leave Chicago since the big money was gone.
They moved to Southern California, a state that had few laws regarding the money you’re investing came from.
They put that money into movies & music, taking over completely both businesses, in effect, laundering that loot into ‘respectable’ money so they could appear to be pillars of the community, even though that money was covered in blood.
An excellent book on this & their Jew lawyer, Sid Korshak, who was the real Godfather, is called “Supermob” by Gus Russo.
From there they branched out into politics, backing many politicians that went on to great heights, like Nixon, Reagan, Bush, even influenced the Kennedy brothers.
Although the original players are dead, I believe that structure is still in place & controlling a lot of DC.
Supermob: How Sidney Korshak and His Criminal Associates Became America’s Hidden Power Brokers
https://themillenniumreport.com/2018/01/supermob-the-most-powerful-underworld-organization-in-u-s-history/
It’s over 500 pages long, but that’s because the author was dedicated to backing up what he said with facts.
P.S. I also think the Russian Crown jewels, stolen by the Bolsheviks after they butchered the Czar & his family, I believe a nick chunk of that plunder went to Hollywood, but that’s difficult to prove, yet no one knows what happened to that priceless fortune.